Road House 2024 film Wikipedia

Table Of Content

• The 50 Worst Decisions in Movie History
• Bon Jovi, Forever Young, Comes Face-to-Face With Mortality in 'Thank You, Good Night'
• ‘Road House’ Star Conor McGregor Among Those Helping His Manager Who Passed Out After Movie’s SXSW Premiere — Update
• The Bourne Identity Director Doug Liman Is Helming The Road House Remake
• When will 'Road House' be released?
• Man stabbed near bus; latest in string of Metro violence …
• Pauly Shore Says He “Was Up All Night Crying” After Richard Simmons Blasted Biopic

Unfortunately, this remake starring Jake Gyllenhaal delivers a lackluster and ultimately unnecessary retread of the original Patrick Swayze-starring film. And in case you’re wanting to do a comparison watch, “Road House” (1989) is currently streamable with Prime Video, Max and Showtime subscriptions. One element that didn’t work in the original film — the romance between Dalton (Swayze) and “Doc” (Kelly Lynch) also falls flat here, unfortunately.

The 50 Worst Decisions in Movie History

Mostly, people go there to drink and have fun (and to listen to live music—the songs on the movie’s soundtrack range from zydeco to slinky R&B to bar-band raveups). But recently, a tough motorcycle gang has been causing trouble there. On his first night of employment Dalton takes them all on, one by one—breaking arms, butting foreheads, sending bodies flying with jujutsu twirls—and later drives them down the road to the hospital.

Bon Jovi, Forever Young, Comes Face-to-Face With Mortality in 'Thank You, Good Night'

Gyllenhaal stars as Dalton, an ex-UFC fighter who is hired as a bouncer at a roadhouse in the Florida Keys. Dalton works with the owner, Frankie (Jessica Williams), to stop a crime boss and his gang from destroying the bar. Described as an “adrenaline-fueled reimagining" of the "cult classic,” “Road House” follows ex-UFC fighter Dalton (Gyllenhaal) after he takes a job as a bouncer at a Florida Keys roadhouse.

‘Road House’ Star Conor McGregor Among Those Helping His Manager Who Passed Out After Movie’s SXSW Premiere — Update

MGM is ramping up speed on its remake of “Road House,” with Jake Gyllenhaal in talks to star and director Doug Liman circling the project. This material may not be published, broadcast, rewritten, or redistributed. Gyllenhaal leads the ensemble cast, which also includes Daniela Melchior, Billy Magnussen, Jessica Williams, Joaquim de Almeida and Lukas Gage. Released on Jan. 25, the first trailer for “Road House” introduces viewers to Dalton, the former UFC fighter who has a tendency to get in brawls with multiple men. Doug Liman will direct the film from a script by The Nice Guys writer Anthony Bagarozzi and Charles Mondry.

At one point, a nasty biker gang shows up and starts wreaking havoc inside the roadhouse. It also features Arturo Castro, B.K. Cannon, Beau Knapp, Darren Barnet, Dominique Columbus and UFC fighter Conor McGregor in his first-ever film role. The film appears to have some similarities with the Swayze, mainly Dalton being a fighting machine working at a roadhouse. Dalton is back to his fighting ways — and this time he’s causing havoc in a new location. Billy Magnussen, Suicide Squad actress Daniela Melchior, Gbemisola Ikumelo and Lukas Gage are set to star.

One biker, played by the movie’s designated scene-stealer Arturo Castro, keeps a dim-witted running commentary. And then, when Dalton does spring into action, its a hyperkinetic mixed-martial-arts melee that’s a blur and an adrenaline rush. You suddenly remember that Liman was the man calling the shots behind both the casual comic rapport of Swingers (1996) and the close-combat sequences in The Bourne Identity (2002). The humor is deadpan and the fights feel deadly in a way that channels a very 21st century, post-John Wick style of snap, crackle and pow. Frankie’s boisterous seaside establishment is called simply the Road House, a joke name that’s barely even a joke.

However, once he’s there, he discovers that this paradise is not all it seems. Extraordinarily stupid, sure, in that it involves a lot of drunken yokels being socked in the jaw and tossed through tables. But cinematographer Dean Cundey (Jurassic Park, Back to the Future) and editors John F. Link (Die Hard, Predator) and Frank J. Uribe (RoboCop, Basic Instinct) made it a work of art.

'Road House' revisited: How Jake Gyllenhaal remake compares to Patrick Swayze cult classic - USA TODAY

'Road House' revisited: How Jake Gyllenhaal remake compares to Patrick Swayze cult classic.

Posted: Thu, 21 Mar 2024 07:00:00 GMT [source]

Meanwhile, the new Dalton—a disgraced UFC fighter rather than a world-famous bouncer—punches people in the head in undisguised closeups that, even once seen, can barely be believed. Computer trickery is involved for sure, but even so, if you’ve seen enough fights to know what CTE is, this is nightmarish stuff. Though two hours long, the movie moves as swiftly as a greased ferret through a Habitrail and delivers hallucinatory action highs for its extended climax. Road House is a 2024 American action film directed by Doug Liman, written by Anthony Bagarozzi and Chuck Mondry and produced by Joel Silver.

Jake Gyllenhaal's Road House remake punches above its weight to set new Prime Video movie record - TechRadar

Jake Gyllenhaal's Road House remake punches above its weight to set new Prime Video movie record.

Posted: Tue, 02 Apr 2024 07:00:00 GMT [source]

The ensuing violent confrontations and the spiral of bloodshed turn the idyllic Keys into a battleground, presenting Dalton with challenges far beyond anything he encountered in the Octagon. For his “reimagining” of the story, director Doug Liman (“Mr. and Mrs. Smith,” “Edge of Tomorrow”) keeps most threads from the original film while altering some of what doesn’t work in the campy neo-Western. But there's something too artificial about the action, with its often distractingly obvious CGI touch-ups. I saw Road House at a screening in a theater, and it's possible the technical flaws were magnified on the big screen in a way that they won't be on your TV. Even so, it's too bad that audiences won't get a chance to decide for themselves. Doug Liman (“Edge of Tomorrow”) directs the movie from a script written by Anthony Bagarozzi and Charles Mondry.

Some of the most iconic ‘80s movies like Red Dawn, The Karate Kid, and Robocop have all received the remake treatment in the past decade or so, but one legendary, and badass action flick, 1989’s Road House, has never been remade. Well, that will soon change with the upcoming reimagining of the Patrick Swayze classic with Jake Gyllenhaal leading things. This unconvincing romance, however, is perhaps the sole element that really doesn’t work with the story’s tonal shift.

To Liman and the screenwriters’ credit, the shift from cartoonish action to drama-with-moments-of-heightened-action feels modern and fresh without completely eschewing the spirit of the original film. Those behind this film clearly have affection for the original but it’s not the religious devotion to source material that has killed too many remakes to count. This isn't the first time Gyllenhaal has played an ultra-shredded fighter, as he did in the 2015 boxing melodrama Southpaw. His Dalton is a pretty standard-issue protagonist, complete with a troubled past that haunts his dreams. But Gyllenhaal, who's always brought a touch of wild energy even to his good-guy roles, makes those demons more convincing than you'd expect.

And when it comes to remakes, there exists a fine line that must be walked between regard for the original and fresh perspectives. While there are a few improvements to Doc’s backstory in the script — and Doc is given a lot more to do — Melchior seems ill-equipped to make the already abbreviated romance even slightly believable. Gyllenhaal’s cheekiness is misplaced next to Melchior’s grounded stoicism and the two often feel like they’re in different movies. But for all its attempts to recapture the B-movie spirit of the original, this Road House winds up stuck somewhere in the middle, caught between unironic '80s homage and a more wised-up contemporary sensibility. In the first Road House, there was nearly as much free-flowing sex as there was violence; here, the violence has been amped up to even more bone-crunching extremes, while the sole instance of nudity is played strictly for laughs. And some of the dialogue feels too arch and knowing, like when a friendly local compares Dalton to a character in a Western.

Though Rousey would go on to find tremendous success with WWE following the end of her UFC career, it’s a shame that the ass kicker, who is obsessed with Road House, never got her shot. Streaming has virtually erased the concept, and the allure, of the “straight-to-video” release. Cheap, sensationalistic films are still being made, but they’re more likely to be appreciated only by niche audiences. There’s no such thing as a mainstream B movie—made truly with just a few nickels and not backed by a cool, name-brand studio—that hungry moviegoers, en masse, will trek out to see.

As we've seen from his earlier movies, the best of which include The Bourne Identity and Edge of Tomorrow, Liman is a more-than-capable director of action. The bar brawls here are well choreographed and cleanly shot, and the fighting encompasses everything from intimate fisticuffs to grander-scale set-pieces. Probably my favorite performance is given by a hungry crocodile who makes short work of one of the more annoying members of the cast and gives the movie some authentic Florida flavor. Most of the other key characters have been recycled from the first film, from the flirty doctor who gives Dalton more than strictly medical attention to the wealthy villain who has his own designs on the roadhouse.

Liman’s Road House doesn’t quite reach the original movie's level of silliness. Philip grew up in Louisiana (not New Orleans) before moving to St. Louis after graduating from Louisiana State University-Shreveport. When he's not writing about movies or television, Philip can be found being chased by his three kids, telling his dogs to stop barking at the mailman, or chatting about professional wrestling to his wife. Writing gigs with school newspapers, multiple daily newspapers, and other varied job experiences led him to this point where he actually gets to write about movies, shows, wrestling, and documentaries (which is a huge win in his eyes). If the stars properly align, he will talk about For Love Of The Game being the best baseball movie of all time. Instead of being a “cooler” with a checkered past, Gyllenhaal’s character in the remake will be a former UFC fighter who somehow manages to get a job at that rowdy Florida roadhouse.